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   CONTENTS: Volume Two, Number One (2004)
   To access a particular article, please click on its title.    
Editorial:
On Pursuing Unusually Stubborn and Persisting Efforts to Think
by the Intelligent Gathering and Use of Data
1
Choral Sight-Singing Practices:
Revisiting a Web-Based Survey

--An IJRCS Forum Spotlight Article

Steven M. Demorest,
The University of Washington
3
Select Acoustic and Perceptual Measures of Choral Formation
Christopher Aspaas, Christopher R. McCrea,
Richard J. Morris, and Linda Fowler,
Florida State University
11
The Effect of Various Left-hand Conducting Gestures on
Perceptions of Anticpated Vocal Tension in Singers

Rhonda J. Vieth Fuelberth,
University of Nebraska-Lincoln
27
Update on Community Choir Singing in the United States
Cindy L. Bell,
Queens College, City University of New York
39
An Historical View of Barbershop Music and the Sight-Reading Methodology and Learning Practices of Early Championship Barbershop Quartet Singers, 1939-1963
Benjamin C. Ayling,
Kent State University
53


   CONTENTS: Volume One, Number One (2003)
   To access a particular article, please click on its title.    
Editorial
Choral Singing: A Matter of Relationships
1
Choir Acoustics:
An Overview of Research Published to Date

--An IJRCS Forum Spotlight Article

Sten Ternström,
Royal Institute of Technology, Stockholm
3
The Effect of Conducting Gesture on Singers' Perceptions of
Inappropriate Vocal Tension: A Pilot Study

Rhonda J. Vieth Fuelberth,
University of Nebraska-Lincoln
13
A Preliminary Study of Factors That Limited Secondary School Involvement of Collegiate Choral Singers
James W. Tipps,
Wright State University
22
Preference for Strong or Weak Singer's Formant Resonance
in Choral Tone Quality

J. Kevin Ford,
University of Tennessee-Chattanooga
29
Choir Spacing and Formation:
Choral Sound Preferences in Random, Synergistic,
and Gender-Specific Chamber Choir Placements

James F. Daugherty,
University of Kansas
48
Aesthetic Response to Choral Music:
Response Comparisons of Performer-Participants
and Non-Performer Respondents

Anita P. Davis,
University of Southern Mississippi
60

EDITORIAL BOARD

James F. Daugherty, Editor
University of Kansas

Anita Davis, Associate Editor
University of Southern Mississippi

Hilary Apfelstadt
Ohio State University

Lee R. Bartel
University of Toronto

Judy Bowers
Florida State University

Steven Demorest
University of Washington

Colin Durrant
University of London

Miyako Furiya
Miyagi University, Japan

Eric J. Hunter
National Center for Voice & Speech,
Denver

Janice Killian
Texas Tech University

Joanne Rutkowski
Pennsylvania State University

Rosalynd Smith
Monash University, Australia

Sten Ternström
Royal Institute of Technology,
Stockholm

Andre J. Thomas
Florida State University

Leon Thurman
Fairview-University Medical Center, Minneapolis

Graham F. Welch
University of London

Thomas R. Wine
Wichita State University

EDITORIAL ASSOCIATES
F. A. Millard, Managing Editor/Webmaster
Lawrence, Kansas

Robert Constable, Consulting Editor
Dean, School of Music, University of Newcastle (Australia)

Bruce Gleason, Consulting Editor
University of St. Thomas

G. David Peters, Consulting Editor
Indiana University

Mary Cohen, Editorial Assistant
University of Kansas

Marvin J. Latimer, Editorial Assistant
University of Kansas

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International Journal of Research in Choral Singing