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Fuelberth, R. J. V. (2003). The effect of conducting gesture on singers' perceptions of inappropriate vocal tension: A pilot study. International Journal of Research in Choral Singing, 1 (1), 3-12.

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Abstract

The purpose of this pilot study was to determine the effect of conducting gesture on singers' (N=16) perceptions of inappropriate vocal tension. Specifically, the potential of left hand conducting gesture to generate or prevent inappropriate vocal tension was examined.

A stimulus tape was created including a control conducting condition (left hand, no change) and five experimental conducting conditions: (a) left hand, fisted gesture; (b) left hand, palm up; (c) left hand, palm down; (d) left hand stabbing gesture; and (e) left hand, sideways, phrase-shaping gesture. Participants selected to evaluate the stimulus tape were members of a church choral organization. Prior to evaluating the stimulus tape, subjects were given a characterization of inappropriate vocal tension.

Results indicated significant differences (t=6.34, df=15, p<.05 two tailed) between the no change conducting condition (M=4.31. SD=2.18) and the stabbing gesture conducting condition (M=7.63, SD=1.71), and (t=3.59, df=15, p<.05 two tailed) between the no change conducting condition (M=4.31. SD=2.18) and the fisted gesture conducting condition (M=7.44, SD=2.10). The sideways, phrase-shaping conducting condition generated the lowest tension score (M=3.19, SD=1.28).





   

 

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    Fisted
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Other articles in this issue
Editorial
Choral Singing: A Matter of Relationships


Choir Acoustics:
An Overview of Research Published to Date
--An IJRCS Forum Spotlight Article


The Effect of Conducting Gesture on Singers' Perceptions of Inappropriate
Vocal Tension: A Pilot Study


A Preliminary Study of Factors That Limited Secondary School Involvement of Collegiate Choral Singers

Preference for Strong or Weak Singer's Formant Resonance in Choral Tone Quality

Choir Spacing and Formation:
Choral Sound Preferences in Random, Synergistic, and Gender-Specific Chamber Choir Placements


Aesthetic Response to Choral Music:
Response Comparisons of Performer-Participants and Non-Performer Respondents


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