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Davis, A. P. (2003). Aesthetic response to choral music: Response comparisons of performer-participants and non-performer respondents International Journal of Research in Choral Singing, 1 (1), 60-64.

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Abstract

This study compared aesthetic responses (N=60) of college students currently enrolled in an auditioned women's chorus (n=30) and college students enrolled in undergraduate introductory music classes (n=30) to ascertain if there were differences in aesthetic response between those who had recently performed a particular musical work and those who had not performed the work. Both groups listened to an excerpt (2 min 17.5 s) of two sequential portions taken from Benjamin Britten's A Ceremony of Carols as performed by the same women's chorus in which half of the participants for this study were enrolled. Auditors responded in real time by manipulating a pointer on a Continuous Response Digital Interface (CRDI) dial (positive-negative). To examine group differences, the excerpt was analyzed in 11 time intervals of 12.5 seconds. Results indicated that (a) overall ratings of listeners from the performer group were significantly higher, (b) performer group listeners significantly changed their ratings across time, and (c) significant rating differences between performer-listeners and non-performer listeners were found for 5 of the 11 intervals. Results were discussed in terms of possibilities for further research, particularly with respect to investigating possible differences in scope and depth of aesthetic response among those who previously performed a particular choral composition and those who had no experience in performing that particular composition.





   

 

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Other articles in this issue
Editorial
Choral Singing: A Matter of Relationships


Choir Acoustics:
An Overview of Research Published to Date
--An IJRCS Forum Spotlight Article


The Effect of Conducting Gesture on Singers' Perceptions of Inappropriate
Vocal Tension: A Pilot Study


A Preliminary Study of Factors That Limited Secondary School Involvement of Collegiate Choral Singers

Preference for Strong or Weak Singer's Formant Resonance in Choral Tone Quality

Choir Spacing and Formation:
Choral Sound Preferences in Random, Synergistic, and Gender-Specific Chamber Choir Placements


Aesthetic Response to Choral Music:
Response Comparisons of Performer-Participants and Non-Performer Respondents


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